Why I Write
Artemis
by Olga Broumas
Let's not have tea. White wine
eases the mind along
the slopes
of the faithful body, helps
any memory once engraved
on the twin
chromosome ribbons, emerge, tentative
from the archaeology of an excised past.
I am a woman
who understands
the necessity of an impulse whose goal or origin
still lie beyond me. I keep the goat
for more
than the pastoral reasons. I work
in silver the tongue-like forms
that curve round a throat
am armpit, the upper
thigh, whose sigificance stirs in me
like a curviform alphabet
that defies
decoding, appears
to consist of vowels, the beginning with O, the O-
mega, horseshoe, the cave of sound.
What tiny fragments
survive, mangled into our language.
I am a woman committed to
a politics
of transliteration, the methodology
of a mind
stunned at the suddenly possible shifts in meaning--for which
like amnesiacs
in a ward on fire, we must
find words
or burn.
by Olga Broumas
Let's not have tea. White wine
eases the mind along
the slopes
of the faithful body, helps
any memory once engraved
on the twin
chromosome ribbons, emerge, tentative
from the archaeology of an excised past.
I am a woman
who understands
the necessity of an impulse whose goal or origin
still lie beyond me. I keep the goat
for more
than the pastoral reasons. I work
in silver the tongue-like forms
that curve round a throat
am armpit, the upper
thigh, whose sigificance stirs in me
like a curviform alphabet
that defies
decoding, appears
to consist of vowels, the beginning with O, the O-
mega, horseshoe, the cave of sound.
What tiny fragments
survive, mangled into our language.
I am a woman committed to
a politics
of transliteration, the methodology
of a mind
stunned at the suddenly possible shifts in meaning--for which
like amnesiacs
in a ward on fire, we must
find words
or burn.